A grotesque, heavy thigh
lies supporting her fat body,
right breast hanging
under her arm,
left breast thrust upward,
exposing dark-lined ribs.
Her hands reach behind her head,
twisting her hair. Her nose is skewed,
thrown almost off her face, away
from her mouth.
Eyes as orange slices
pulled down at the sides,
melancholy.
One wonders why
she sits in her green-walled box,
blue floor under her legs
heavy feet
pushed out at us.
This is a collection of the poetry of Troy Camplin. As each poem is always a work in progress, comments and criticisms will be taken into consideration, and changes, perhaps, made.
Showing posts with label Poem from the High Museum of Art in Atlanta GA. Show all posts
Showing posts with label Poem from the High Museum of Art in Atlanta GA. Show all posts
Friday, July 24, 2015
Thursday, July 23, 2015
Girl Before a Mirror -- 1932
A woman stands,
arm outstretched --
caressing her reflection.
Her face is yellow, orange,
warm from front,
her profile pink and cool
as her breasts, made
as circles, her belly full in front.
She gazes at a face,
dark in orange and purple,
breasts and belly jaundiced,
striped in green,
blue and purple hair
hanging loose,
in contrast with her true
blonde hair
flowing gently from her head.
arm outstretched --
caressing her reflection.
Her face is yellow, orange,
warm from front,
her profile pink and cool
as her breasts, made
as circles, her belly full in front.
She gazes at a face,
dark in orange and purple,
breasts and belly jaundiced,
striped in green,
blue and purple hair
hanging loose,
in contrast with her true
blonde hair
flowing gently from her head.
Wednesday, July 22, 2015
Project for a Monument to Guillaume Apollinaire -- 1962
A drawing
made of steel rods,
filling space.
A small circle, eyes,
nose as dots.
Oval sketched body,
bisected triangle arms
extend to hands as arcs
grasping space.
Apollinaire stands,
in six-legged tricycle stance,
two infront,
two on either side,
a rust-painted sketch
seen from all sides.
made of steel rods,
filling space.
A small circle, eyes,
nose as dots.
Oval sketched body,
bisected triangle arms
extend to hands as arcs
grasping space.
Apollinaire stands,
in six-legged tricycle stance,
two infront,
two on either side,
a rust-painted sketch
seen from all sides.
Tuesday, July 21, 2015
Head of a Sleeping Woman -- 1907
A head, light
almond-shaped and colored,
long nose over small mouth.
Wide almond eye
lids, brow prominent
above the left.
Hatchmarcked forehead,
lined cheeks, as walrus
whiskers. Arm held high
above her read. A blue
drapery to her
left. Lines in blue
And tan. A painting
of lines and arcs
like an African mask.
almond-shaped and colored,
long nose over small mouth.
Wide almond eye
lids, brow prominent
above the left.
Hatchmarcked forehead,
lined cheeks, as walrus
whiskers. Arm held high
above her read. A blue
drapery to her
left. Lines in blue
And tan. A painting
of lines and arcs
like an African mask.
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